THE SUBSTANCE (2024)

In Coralie Fargeat's brand new feminist horror film The Substance, unsafe societal charm specifications are the actual creatures. They (women objectification, the fingertip of "the old," the spreading of an industry built on physical body modification) feed a monster of a cycle that leads Demi Moore's fading TV individuality character Elisabeth Shi

In Coralie Fargeat's brand-new feminist horror movie The Substance, unsafe social beauty specifications are actually the genuine creatures. They (women objectification, the disposal of "the outdated," the expansion of a market improved body system customization) supply a creature of a cycle that leads Demi Moore's fading television individuality ch